[Be wary, Beel - you're stepping into a place far beyond this damned resort.]
[The city before you doesn't seem so damned. As your eyes open, you can clearly see the streets you're walking down are decorated, festive, with a bustling and happy crowd. The bright, cheerful lights, the vivid green of pine, the stars, the ornaments.]
[It's Christmas.]
[There's a sack of goodies slung on your shoulders, a merry red hat perched on your head - gifts of your Office members, who had done their best to contribute to a good cause. It's all for the children, of course. Goodies, candies, anything a young eye and bright heart would enjoy.]
[Even with the sword harnessed to your back, it doesn't feel like this is a day for anything dark. Christmas is a day of light, and merriment.]
[Soon you'll exit to a familiar road, and make it to the orphanage. Your weary heart feels light.]
[Oh. Oh, that's disorienting. He was in the middle of a burger, too... but for some reason, he doesn't feel hungry?
When was the last time he remembered doing that?
...
He knows Christmas. Even if the surroundings are unfamiliar, and he isn't sure where he's going, it feels right to feel happy. And he's going to... orphans? To children.
Who is he? He wishes he could see. But he lets himself walk, lets the feeling happen.
It seems... peaceful. Tiring, in a way that he's only felt from Belphegor... But peaceful.]
[It is peaceful, indeed. The air is cool - you don't shiver, but you blow a little exhale into the air, watching it dissipate. The guard lets you out of the main center of the Nest with the show of your ID, and you step into the backroad to the orphanage that has always been so familiar to you.]
[It's quiet. And though it usually gives you relief to get to this part of the road...]
[This time, there's a sense of unease.]
[The snow crunches underneath your feet. You notice something along the road. Random, rough-looking chunks of concrete, with exposed pipes and wires, strewn in front of you, like a crime scene. It looks as though they have been ripped from a building. You step closer.]
[The stains on them are...]
[Blood.]
[You already feel yourself moving. One foot forward. Another. There's no thoughts. The augmented muscle fibers of your legs tighten, crack-]
[And you skyrocket forward like a bullet, covering a great distance in an instant. The ground cracks as you land directly in front of the orphanage.]
[What's....left of the orphanage.]
[There's a wild inhuman wail in the frosty air, the building torn, burning, a bloodstained husk of the lively place of children you once knew. ]
[A horrifying monster of sewn flesh, in a flimsy apron. The human-like faces growing from its mass have tears strewn down their misshapen cheeks. From what you can see through the smog are the sewn words on the apron clumsily sticking out like a sore thumb:]
["LOVE <3 TOWN".]
[And in its giant paw is one of the residents of the orphanage, lifeless, bloody, her hand loosely holding an axe. She must have tried to attack it. She must have tried to do her best to save the others.]
[But as you watch, your breath caught in your throat in shock, the monster lifts her...]
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[The city before you doesn't seem so damned. As your eyes open, you can clearly see the streets you're walking down are decorated, festive, with a bustling and happy crowd. The bright, cheerful lights, the vivid green of pine, the stars, the ornaments.]
[It's Christmas.]
[There's a sack of goodies slung on your shoulders, a merry red hat perched on your head - gifts of your Office members, who had done their best to contribute to a good cause. It's all for the children, of course. Goodies, candies, anything a young eye and bright heart would enjoy.]
[Even with the sword harnessed to your back, it doesn't feel like this is a day for anything dark. Christmas is a day of light, and merriment.]
[Soon you'll exit to a familiar road, and make it to the orphanage. Your weary heart feels light.]
[You can't wait to see their smiling faces.]
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When was the last time he remembered doing that?
...
He knows Christmas. Even if the surroundings are unfamiliar, and he isn't sure where he's going, it feels right to feel happy. And he's going to... orphans? To children.
Who is he? He wishes he could see. But he lets himself walk, lets the feeling happen.
It seems... peaceful. Tiring, in a way that he's only felt from Belphegor... But peaceful.]
cw: fleshy body horror, gore, death, blood
[It's quiet. And though it usually gives you relief to get to this part of the road...]
[This time, there's a sense of unease.]
[The snow crunches underneath your feet. You notice something along the road. Random, rough-looking chunks of concrete, with exposed pipes and wires, strewn in front of you, like a crime scene. It looks as though they have been ripped from a building. You step closer.]
[The stains on them are...]
[Blood.]
[You already feel yourself moving. One foot forward. Another. There's no thoughts. The augmented muscle fibers of your legs tighten, crack-]
[And you skyrocket forward like a bullet, covering a great distance in an instant. The ground cracks as you land directly in front of the orphanage.]
[What's....left of the orphanage.]
[There's a wild inhuman wail in the frosty air, the building torn, burning, a bloodstained husk of the lively place of children you once knew. ]
[And on top of the building is a monster.]
[A horrifying monster of sewn flesh, in a flimsy apron. The human-like faces growing from its mass have tears strewn down their misshapen cheeks. From what you can see through the smog are the sewn words on the apron clumsily sticking out like a sore thumb:]
["LOVE <3 TOWN".]
[And in its giant paw is one of the residents of the orphanage, lifeless, bloody, her hand loosely holding an axe. She must have tried to attack it. She must have tried to do her best to save the others.]
[But as you watch, your breath caught in your throat in shock, the monster lifts her...]
[And moves to snap her into two.]